Pro tools reverb bus

Brilliant i have one question is occaisionally i get cpu overload when starting playback even with a few tracks that dont have a lot on would i need to set buffering or something like that your help would be great otherwise keep up the great work with these tutorials they are really helpful.

Glad to hear we have helped! Playback engine settings really come down to the performance you would like from your system. Increasing the buffer size for example will give you a more stable playback but will also come with the issue of lag on your inputs when recording.

Things like CPU usage can of course be upped but that comes at the cost of putting pressure on your system which could result in unstable crashes. Each of the values and options can be found in the Pro Tools documentation which may help you further? First off thanks for the great articles, im enjoying them: im new to this thing and am trying to record a video with quicktime while using audio from my eleven rack instead of the built in mic.

For some reason with the protools aggregate io selected as an input in quicktime I have no signal coming in therefore i downloaded sunflower and am using that as medium between quicktime and pro tools. Theproblem is that since i am not using thr main out i cannot monitor what im playing, i thought bussing would solve my problem but it seems i can only send one track via the bus to aux which goes to the main out! Can you point what im doing wrong? Also one curiosity, why the need for the bus when you can send the track directly to the aux input?

Great to hear you like the website and thanks for stopping by! In answer to your second question I presume you are asking as to why I set the output of the tracks to an Aux track as opposed to using Aux sends? After doing this, my panning is no longer working. Some tracks panned Left or Right are now Centered. How do I fix this? Could you explain a little more about your issue? I have done all these but my aux track faders are greyed out so I am not getting signal into them.

I have PT 10 Thanks,. Greyed out faders usually mean that they are inactive so they will not take or process any signals, have you tried right clicking the track and making them active again? Your email address will not be published. While this tutorial in particular will reference using vocal tracks, the same process can be used within your Pro Tools session on anything you like whether it be to create a drum bus or even a sub-master fader to control the level of your mix before it hits the master fader… Why Use Busses?

Quick Tip: The bus names can be changed by double clicking on the text field Creating The Bus Input We now need to create the track which will receive the signals we are going to send via the bus. Routing To The Bus Now we are simply left with the task of routing the required tracks to the newly created aux track. Well this is where that will finally come in to play… Set the Input of the newly created track to the bus you created earlier as shown below.

Making Use Of The Bus So there you have it you have created and applied a bus within Pro Tools, as mentioned at the beginning of this tutorial, this will now allow you to control the level of the combined bussed tracks from a single fader. Final Words We hope you have enjoyed this tutorial and that it will help you during your future productions. ProMedia has been leading the way in short term, Pro Tools Immersion courses which focus in all areas from beginner to advanced Pro Tools Applications.

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Bring up the level of the send until you hear enough reverb on your vocal. This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Close Privacy Overview This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website.

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